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Review from the Peninsula Reviews:

July 19, 2016July 23, 2016 by admin
607
“The orchestra, under the direction of Khudyev delivered a lovely precision and delicious dynamic shaping of the phrases, plus some gorgeous pianissimo playing in the strings that struck a beautiful…
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Review from the New York Music Daily:

July 15, 2016July 23, 2016 by admin
627
“Farkhad Khudyev put on a characteristically majestic, sweeping, intuitive performance.” “Khudyev gave the sweeping, swoony nocturnal second movement extra altitude by bringing it down very, very quietly in places to…
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Review from the Performing Arts Monterey Bay:

July 15, 2016July 23, 2016 by admin
592
“So here was Farkhad Khudyev, with the score memorized, putting this piece through its paces—his paces. The long slow introduction to the first movement, itself energized by a combination of…
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Review from the Herald:

July 15, 2016July 23, 2016 by admin
1207
“This much-anticipated February program opened with the short, powerful and astounding world premiere of Khudyev’s “The Sounds of Eternity.” Both an intimate musical self-portrait and an unflinching reflection of the…
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  • Khudyev expertly guided the conversation between the clarinet and the orchestra, showcasing both the mellifluous and supple playing by his brother Emil Khudyev and the virtuoso skills of the ensemble.
    - The Herald -
  • Everyone in the Sunset Center — conductor, musicians and audience — became part of a single experience that left us all shaken up in the best possible way. - The Herald
    - The Herald -
  • Khudyev possesses a magician’s ability to connect with invisible worlds and to bring them alive in the music.
    - The Herald -
  • Khudyev embodied Beethoven. He was on fire! Every movement and every gesture came across as true, powerful, ecstatic and utterly riveting.
    - The Herald -
  • The concert ended with a lush performance of Smetana’s “The Moldau.” It was a passionate and intense performance that brought the audience to its feet for a rousing standing ovation.
    - Peninsula Review -
  • The Overture to Candide by Leonard Bernstein brought the audience to its feet. And, what an audience — it was a full house.
    - Peninsula Review -
  • The Finale to La bohème’s Act I was so full of poignant dramatic emotion it bought tears to the eyes of many a listener. This was glorious…
    - Performing Arts Monterey Bay -
  • Khudyev was fully the artist the community has already found him to be, a man of exceptional talent and charisma
    - Performing Arts Monterey Bay -
  • Orchestra displayed a professionalism that even the toughest critics could only marvel at. Moreover, Khudyev added many of his own interpretive details of phrasing and dynamics that enhanced the listening experience as much as they honored the composer’s pla
    - Performing Arts Monterey Bay -
  • I have seldom been so absorbed in a performance--the conductor's deportment and the physical color he brings to the podium are a joy to witness, and his musicians play as beautifully as he conducts. This young man has an extraordinary future.
    - Donald Dal Maso (former musician of the New York Ballet) -
Farkhad Khudyev 2018
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